Download PDF Twilight of the Gods: A Journey to the End of Classic Rock By Steven Hyden

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Twilight of the Gods: A Journey to the End of Classic Rock-Steven Hyden

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Ebook About
National Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selectionThe author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.Since the late 1960s, a legendary cadre of artists—including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who—has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks.In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock’s greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself.Twilight of the Gods is also Hyden’s story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music—are they ephemeral or eternal?

Book Twilight of the Gods: A Journey to the End of Classic Rock Review :



There are parts of the book that are thoroughly enjoyable and well considered and written. But the author’s seemingly constant need to advertise his wokeness is terribly off-putting in a book that aims to celebrate the whole concept of classic rock.No, James Brown and Marvin Gaye and Parliament Funkadelic were not played on the classic rock stations, but they weren’t making music for the classic rock audience either. Can R&B and funk be classified among classic rock? Based on the Rock n Roll hall of fame, the answer is yes, and you can add in hip hop too, but don’t reflexively play the racism card for those songs not traditionally being classified as such.When you had guys like the Stones, Clapton, the Beatles, and even Phil Collins publicly acknowledging their debt to black musicians, Motown, and the blues, they clearly weren’t racists seeking to appropriate culture. (What’s another word for “cultural appropriation”? CULTURE)Finally, the portrayal of Disco Demolition as some anti-gay, racist event is historical revisionism. It wasn’t a bunch of white dudes out there to protect their privilege, it was a bunch of drunken meatheads out to party. Simply put? They hated disco and wanted to advertise that fact. Again, it was 1979, not 2019, and that constant sense of grievance wasn’t part of the culture. There was racism then, as there is now and has been since the beginning of time, but we weren’t all being raised to hate each other and play the victim in every interaction.The constant need to look at different eras and judge them using today’s woke standards is lazy and is becoming a trope.I can’t recommend the book because of that; it just feels so forced and unnecessary that it detracts from the core narrative. It’s possible to write great books about a rock era or genre (like Dave Weigel’s “The Rise and Fall of Prog Rock”) without playing in the intersectional olympics. I wish this book had chosen to do so.
Read "I Hate New Music" instead. It's more informed about the music of the 60's and 70's and is actually humorous in a dry British kind of way. This author spends waaaay too much time imparting his personal experiences with the music he is writing about. Nobody cares about what you thought your divorced parents were thinking about when they listened to Fleetwood Mac's Rumors 10 years after it came out. What did Frank Zappa say about rock journalists...?

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