Best Unfaithful Music & Disappearing Ink By Elvis Costello

Best Unfaithful Music & Disappearing Ink By Elvis Costello

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Unfaithful Music & Disappearing Ink-Elvis Costello

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Ebook About
The perfect gift for music lovers and Elvis Costello fans, telling the story behind Elvis Costello’s legendary career and his iconic, beloved songs.  Unfaithful Music & Disappearing Ink provides readers with a master’s catalogue of a lifetime of great music. Costello reveals the process behind writing and recording legendary albums like My Aim Is True, This Year’s Model, Armed Forces, Almost Blue, Imperial Bedroom, and King of America. He tells the detailed stories, experiences, and emotions behind such beloved songs as “Alison,” “Accidents Will Happen,” “Watching the Detectives,” “Oliver’s Army,” “Welcome to the Working Week,” “Radio Radio,” “Shipbuilding,” and “Veronica,” the last of which is one of a number of songs revealed to connect to the lives of the previous generations of his family. Costello chronicles his musical apprenticeship, a child's view of his father Ross MacManus' career on radio and in the dancehall; his own initial almost comical steps in folk clubs and cellar dive before his first sessions for Stiff Record, the formation of the Attractions, and his frenetic and ultimately notorious third U.S. tour. He takes readers behind the scenes of Top of the Pops and Saturday Night Live, and his own show, Spectacle, on which he hosted artists such as Lou Reed, Elton John, Levon Helm, Jesse Winchester, Bruce Springsteen, and President Bill Clinton.  The idiosyncratic memoir of a singular man, Unfaithful Music & Disappearing Ink is destined to be a classic.

Book Unfaithful Music & Disappearing Ink Review :



I am reading Elvis Costello’s “Unfaithful Music and Disappearing Ink.”I acquired it a while back and was saving it; holiday on Sanibel, in the peace and quiet of the lanai looking out over the gulf with pelicans and terns hovering then plunging to lunch seems an ideal setting.This book is what I expected but also not that. Its three modes became clear to me only gradually.The first and most obvious is, so to speak, a background narrative — the life story of Declan McManus (or MacManus, depending on where in England Elvis’ father, a band singer, was living at the time). And that is pretty interesting; music and then girls, and all kinds of detail about life in England during the late fifties and early sixties which sounded both deeply familiar and oddly alien (my own experiences were far more rural).But next one finds, and one might have hoped to find, a sort of catalogue raisonnée of all his songs, from the beginning — albeit in allusive, rather poetic terms. But these are the terms in which I became fond of Costello in the first place — his humour with language. And unsurprisingly I find it here in the book as well; he writes“One night in 1985, I was drinking Gibsons with T Bone Burnett in a Sunset Boulevard hotel, which was known locally as “The La Mondrian.” It was obviously the very, very definite article.”That’s the sort of thing that reaches me, directly and with a stab of pleasure.The third phase of the book, which took longer to resolve itself to me, with my rather spotty and shallow musical knowledge, is that it is an education in the musical formation of one of the very best of the rock-punk-wave musicians to come out of Britain. I began to realize that Elvis, in listing the names of songs I’d heard but didn’t know enough about, or songs I had not heard but which were sung early by people I did know about, or songs I’d never heard of sung by people I’d never heard of, was setting a trail of breadcrumbs and inviting me to follow it and to learn by listening, where I can, to the reference.For instance:“All you could do was stand back in wonder, wondering when life would ever start.“This was not true of Peter Green. Though he was a guitar player of soul and nuance far beyond both that of his flashier contemporaries and certainly my novice abilities, the humanity of his singing was modest and intimate in a way that felt like he was among us, not above us. His rendition of “Need Your Love So Bad,” with its superb short opening solo that was the only guitar break I ever aspired to memorize, was my first acquaintance with the orchestrated blues of Little Willie John, an idiom most gloriously explored by Bobby “Blue” Bland.”And thus I found, and listened to, that song; and the text and song became thereby richer and my ignorance infinitesimally less deep.So I’m liking this book.
Whew!!!! Listening to Elvis C. over the course of 15 CDs was a profoundly moving, entertaining, and informing listening experience. I wanted to read the book, and when I discovered that Elvis narrates the audio, I decided to listen. His voice, as reader of his material, is superb. His imitations of other figures are hysterical! (I'm smiling as I write this remembering his Bob Dylan and George Jones imitations). I've learned so much from this book, about Elvis's life, about his writing craft, and about all the tremendous (and varying) musicians that have inspired him. I enjoyed all the lyrics he stated throughout the text. The book has re-introduced the entire Elvis canon to me, and then some. Elvis albums I've previously dismissed I now look forward to listen to with a newly-learned appreciation. I now want to buy the book to read it again. This book is guaranteed to expand your record collection - among the new records I have purchased (thanks to Unfaithful Music), is Billie Holiday's All or Nothing at All, which EC raves about as one of his necessary recordings (or which there are so many). If you are passionate at all about music, read - better yet listen to - this book!

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